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Village women performing a traditional dance around three traditional drummers during the ‘kɔnyɔn.’ Note the brown/red/yellow fabric many of the villagers are wearing. This was the fabric chosen for the ‘kɔnyɔn' and many villagers got clothing made out of this fabric for just this occasion. |
This past week, a young tailor, Omaru, in my village married his first wife. The actual wedding itself, the ‘furusiri,’ took place Sunday afternoon within the village mosque. As per tradition, the bride and groom did not attend. Only men were present, and the groom was represented by his best friend.
The marriage ceremony began shortly thereafter, and is called a ‘kɔnyɔn.’ In preperation, a cow was slaughtered by the groom’s family early Sunday afternoon, and meat was handed out to other men in the village as a gift. I was given the meat from the cow’s head, which my host-mother cooked for me.
People gathered that afternoon to chat, and a dinner of rice, peanut sauce, and beef was served communally.
That night, the real festivities began. The village ‘dɛnmisɛnw jɛkulu’ (children’s committee, which includes ‘children’ of approximate ages 5 to 30) had recently raised money to purchase a stereo system. For the occasion, they brought out this equipment in the open area near one of the pumps and arranged chairs in a circle, forming a dance area in the middle.
Beginning around 9PM, the villagers began blasting African dance hall-style music, which for the most part was similar to reggaeton with its repetitive beat and yeling, but with Malian style synth instrumentation thrown in. They only had one disc of music, through which they manually skipped between about five three-minute songs, each being played more than ten times, until they mercifully stopped around 2AM.
I was rather disappointed when I first arrived in my village to find that after their traditional drums broke several years ago, they have ceased to have traditional music at any of their ceremonies. For this wedding, however, a ‘jɛli’ (griot/singer) and a band of traditional drummers, consisting of a large circular drum called a ‘dunun’ played bare-handed, and two smaller djembés played with a stick in one hand and the bare palm of the other, were hired from another village.
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The three traditional drummers: the 'dunun' is in the center, flanked by the two smaller drums.
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