Some friends at the local Catholic Church making 'hinagum', a local delicacy made of rice, coconut milk, and sugar, traditionally prepared just after harvest. |
It should follow that my relationship with the community would suffer due to this brevity. But I am pleased to find that this is not the case. Compared to Mali and Kenya, both of which would nevertheless become second homes to me, the Philippines does not present the same caliber of cultural challenges when it comes to integration.
The main impediment to integration was and always is language, and that remains the case here. I have been trying to learn ‘waray-waray’, the local dialect, but am unlikely to get very far without any formal training and with only limited time on my hands. But unlike in Africa, most people here can speak English well. Whether they choose to use it is another story.
The term ‘nosebleed’, used to describe someone speaking English above his or her ability, is ingrained in the local vernacular. People are often too embarrassed to speak English, concerned that their grammar will expose them as unintelligent. Regardless, ‘waray-waray’ is always the language they use amongst themselves. I’m not a fan of being in a place where I can’t speak the language, but their English proficiency has made things quite smooth and hastened my integration.
I am developing strong relationships here, especially with a group of guys who refer to themselves as the 'Baraks Boys’, owing to the wooden shelter they maintain as their nightly gathering place in the yards of one of the members. They are young men of between 18 and 31 years of age, who are also very active at the local Catholic Church. A large portion of them have even attended seminary school in the past.
On another day, 'Sweet Corn' and Ric-Ric, both 'Baraks Boys', prepare a pork stew cooked with the blood of a pig for all of us at the church. |
Filipinos are also very fond of music – namely classic American love songs from the 50’s, 60’s, and 70’s. And part of this fondness presents itself in both guitar sing-a-long sessions and ‘videoke’. ‘Videoke’ is what we in the states call ‘karaoke’, and is generally part of every party in the Philippines. Most houses have a machine hooked up to their TV, and many nights are spent just singing with a few friends. Of course one of my first songs was dedicated to my Dad, the karaoke legend himself. No other than “Stairway to Heaven”.
Therefore, the communal feel and the social nature of Filipino culture is very much like Mali, in fact. The only difference… I may stagger home a bit at the end of the night, as opposed to being slightly buzzed on caffeine. And yes, I may have caused a few more ears to bleed from my singing.
Turning to work, this past Saturday marked the completion of our Disaster Risk Reduction and Management (DRRM) team’s first task towards accomplishing our goal of developing a Disaster Risk Reduction and Management Plan. Bobi, my counterpart, and Iso, the municipal engineer, joined me in visiting all of the 11 barangays (districts) within our municipality.
We finished the task ahead of schedule, and I owe it to the motivation and work ethic of these two men. We have now begun to sit down together, review all of our data, and plan an upcoming strategy workshop with local officials to prepare the actual municipal DRRM plan. With the exception of the digital hazard maps, which has hit a snag due to a lack of available technology, I couldn't be more pleased with our progress.
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